The Opening Scenes of Othello, King Lear and Macbeth Essay Example for Free

The Opening Scenes of Othello, King Lear and Macbeth Essay The influences of feminine powers from the Shakespearean plays, Othello, King Lear and Macbeth, portrayed during the opening scenes have affected the courses of male instincts and literary arguments throughout the play. In this study, the emphasis is given to the powers of feminine influences portrayed in the opening scenes and the effects of these to male characters and arguments throughout the play. The three plays of Shakespeare have shown significant interests on how females provided influential to seemingly manipulative roles throughout the play. In the opening scene of the play Macbeth, the feminine force of Lady Macbeth only becomes evident in the latter scenes (Act I: Scene V), but her character and roles in the play have shown immense manipulation and creative enticement that lures the role of her husband Macbeth from general to king. Lady Macbeth has shown a personality of a domineering wife that pave the way for her husband’s royal disposition. In the story, her presence and feminine influence are evidently illustrated by her manipulation of her husband’s decisions. The powers of Lady Macbeth portray the similarity towards the militaristic domination of her husband’s task in the military, yet also give contrast to their roles and dispositions, which emphasizes her enticement. On the other hand, the feminine influences present in King Lear are evidently multi-faceted through the roles of characters, Goneril, Regan and Cordelia. Shakespeare is able to centralize the literary course through the discreet and indirect manipulation of character of Cordelia, the youngest daughter of King Lear. In opening scenes this play, the feminine roles are very much intertwined with the concept of sibling rivalry and patriarchal inclinations, which is more patterned to â€Å"Electra† complex of Freudian psychosexual theory. The character of Cordelia has shown her distinct attachments towards the King of France as her husband and the King Lear as her father, while the two sisters, Goneril and Regan, implicate love towards themselves and their husband’s disposition to the society. Cordelia’s depiction of feminine influence is the main emphasis of the discussion due to her distinct attachments to significant male characters as well as her diverse portrayal in the opening scenes of the play. Lastly, the play of Othello gives rise to the character of Desdemona who have entangled the hearts of two gentlemen, Othello and Roderigo. In the opening scenes, it is already indicated that Roderigo lost the hand of Desdemona to his competitor Othello, who actually became the husband of Desdemona. In the novel, the roles of women, including Desdemona, Emilia and Bianca, have become the turning point of argument among men. Shakespeare has evidently utilized the imagery of womanhood in order to create the sense of love rivalries, issues of jealousy, scenarios of betrayal and the instinctive manly lust linked to their pride as military personnel and as male human being. The feminine influence is very much intense and evident even in the opening scenes of the play; however, it portrays a different perspective in the form of love triangle between Othello, Desdemona and Roderigo. Discussion The Opening Scenes of Othello The setting of the opening scene involves the two characters Roderigo and Iago arguing about the secret marriage that occurred between Othello, Roderigo’s literary rival, and Desdemona, the woman who captivated Roderigo. During the first scenes, Roderigo acts furiously and blatantly exaggerates his hatred and defeat towards Iago due to the fact that Desdemona can no longer be with him. Even from the very start, the character of Desdemona is already causing an indirect influence towards the male characters through the depiction of erotic triangle between Othello, herself and Roderigo. In the advent of Roderigo’s jealousy, he is easily manipulated by Iago’s lying tongue that causes them to further lay down their conflict to the Desdemona’s father, Senator Brabantio. â€Å"Iago: Call up her father, rouse him: make after him, poison his delight, proclaim him in the streets; incense her kinsmen and, though he in a fertile climate dwell, plague him with flies: though that his joy be joy, yet throw such changes of vexation ont, as it may lose some colour. (Act I: Scene I)† Brabantio, being influenced again by the role of Desdemona as his daughter, becomes protective over her and enrages as he learn the marriage between his pure bred English daughter to a moor. Othello is known as the noble moor in the novel; hence, creating issues of classicism in terms of racial origin. Despite Othello’s military rank (General), he is not welcomed with full acceptance by Desdemona’s patriarchs. â€Å"Brabantio: It is too true an evil: gone she is; and whats to come of my despised time is nought but bitterness. Now, Roderigo, Where didst thou see her? O unhappy girl! With the Moor, sayst thou? Who would be a father! How didst thou know twas she? O she deceives me (Act I: Scene I). † Literary angles would consider the enticement and manipulation brought by Iago; however, the clear spot on Desdemona, being the subject of argument among men in the opening scenes, is the clearest influence of feminine powers. Brabantio’s patriarchal protectiveness and Roderigo’s lustful intent insist to revoke the clinging of Othello to Desdemona; however, even with progressive accusations (e. g. witchcraft, unreasonable seductions from Othello, etc. , Othello is able to defend himself and his love for Desdemona. Prior to the frank arguments between Brabantio’s allies and Othello, the noble moor already declared his affection towards Desdemona. â€Å"Othello: But that I love the gentle Desdemona, I would not my unhoused free condition put into circumscription and confine for the seas worth(Act I: Scene II). † Shakespeare portrays a different power of female captivity in the initial conflicts of opening scenes. Even without the appearance of Desdemona in the opening scenes of the play, her presence and manipulation over the male characters are already evident. The protectiveness of Brabantio, the jealous love of Roderigo and Othello’s proof of love for Desdemona have all indicated a tremendous male influence through a simple decision made by Desdemona, which is her marriage with Othello. Evidently, the female character of Desdemona invisibly influences the subjects of arguments (e. g. Iago and Roderigo, Brabantio against Othello, and Roderigo against Othello) present in the opening scenes of the play. The Opening Scenes of King Lear In the play of King Lear, the female parties under the portrayals of the three sisters, Goneril, Regan and King Leer’s most favourite, Cordelia. The play opens with King Lear and his daughters providing their best interpretations of their patriarchal affinity. Goneril, being the eldest and married daughter, casts well-stated praises for the king but less affinity for a father. â€Å"Goneril: †¦No less than life, with grace, health, beauty, honour; as much as child eer loved, or father found; a love that makes breath poor, and speech unable;†¦ (Act I: Scene 1). † Meanwhile, Regan, the second daughter, resembles more of her eldest sister’s remarks although, she places more emphasis on the insufficiencies of Goneril’s description. It is a higher bid, a bold comparative and an assertion that Regan can love better than the eldest. Regan mentions that, â€Å"In my true heart â€Å"†¦I find she names my very deed of love; only she comes too short: that I profess myself an enemy to all other joys, which the most precious square of sense possesses; and find I am alone felicitate in your dear highness love (Act I: Scene I)†, which gives the hint of her total love for King Lear. Shakespeare’s King Lear somehow illustrates the role of women to please men of the contemporary European society simply through words, which sometimes even blinds them of the real picture. However, despite the alluring statements provided by the two sisters, Shakespeare decides to have the youngest, Cordelia, as the turning point of feminine enticement in the story, which even influenced the entire literary course of King Lear. Upon the first entrance of King Lear, a significant symbolism of favoritism has already been portrayed for his youngest daughter. His concern over her is vastly impressive and evident as he acknowledges the non-implied burden of Cordelia’s suitors, King France and Lord of Burgundy. However, this affection of King Lear has been seemingly declined by Cordelia during her turn to state her love for the king. Corderlia’s thoughts assures to her confidence that her tongue is not match for her affection towards her father. â€Å"Cordelia: Unhappy that I am, I cannot heave, my heart into my mouth: I love your majesty according to my bond; nor more nor less. (Act1: Scene 1)† This is turning point plays the most significant feminine influences over males in the opening scenes of the play. King Lear becomes enraged, disowns his daughter and leaves her to the King of France to marry. However, Cordelia still provides the greatest affinity towards the king compared to her two sisters. The feminine influences of the three daughters to their father provide a multi-faceted approach. Goneril and Regan compete for their interest in the king’s inheritance, but their intents show selfish and masked affinity. On the other hand, Cordelia manifests a strong attachment to her father. Despite of the knowledge that failure to gratify the king through word praises might cause the lost of her part in the kingdom shares, she still preferred to announce her honest verdict. In the opening scene, King Lear, with the instinctive manly characters, is easily manipulated by the feminine lingual enticement, which even blinds his site from truth. King Lear prioritizes his pride and instinct as a man, which blinds him from the real identities and intentions of her daughters. The linkages of the sisters towards the king are related to the patriarchal attachments that should be natural to such familial relationships. The Electra complex depicted in the play and the process on how feminine enticement can manipulate male’s decision is the main influence of feminine roles throughout the play. The Opening Scenes of Macbeth In the Shakespeare’s Macbeth, the feminine influence is greatly portrayed by the role of Lady Macbeth over her husband, Macbeth. In the story, the three witches have provided their prediction of kingly lineage to Banquo, a military general and Macbeth’s best friend; however, as Lady Macbeth learns of the predictions, she decides to use this together with her husband as an opportunity to own the crown. Lady Macbeth is able to convince Macbeth that the only way to the royal lineage is to eliminate the current monarch, King Duncan. During the conversations of Macbeth and Lady Macbeth, the manipulation of Lady Macbeth becomes evident in her efforts to convince Macbeth for the killing plot. â€Å"Lady Macbeth: And when goes hence? Macbeth: To-morrow, as he purposes. Lady Macbeth: O, never shall sun that morrow see! .(Act 1: Scene V) Lady Macbeth: What cannot you and I perform upon the unguarded Duncan? What not put upon his spongy officers, who shall bear the guilt of our great quell? † (Act 1: Scene VII). The feminine cunningness of Lady Macbeth has entices her husband for her plot of putting Macbeth in the royal sit. She is even confident to take the overall burden for the sake of her husband’s new position in the royal chambers as evident to her statements, â€Å"Lady Macbeth: †¦to alter favour ever is to fear: Leave all the rest to me†¦ (Act I: Scene V). The influence of Lady Macbeth is also the main weapon that she chooses in order to fulfill the plot of killing. She decides to lure the king to her enticement prior to the killing and, with that, her cunning statements begin to manifest. â€Å"Duncan: Give me your hand; conduct me to mine host: we love him highly, and shall continue our graces towards him. By your leave, hostess (Act 1: Scene VI)† The female influences portrayed in the character of Lady Macbeth illustrate the manipulative and non-offensive strategy of female mind in directing the male’s decision according to their preferences. Evidently, Lady Macbeth manifests a domineering attitude towards her husband, Macbeth, whom she even considers as innocent and helpless in some non-implied way. Considering the pride of men by nature and the manly instinct suggesting the negation of female position, especially during the contemporary European society, Macbeth is enticed to abide the plans and plots of Lady Macbeth. Moreover, as illustrated in the opening scenes, Macbeth is the one who shows hesitancy over the plot of his wife. â€Å"Macbeth: If we should fail? Lady Macbeth: We fail! But screw your courage to the sticking-place, and well not fail. When Duncan is asleepWhereto the rather shall his days hard journey soundly invite himhis two chamberlains (Act I: Scene VII)† It is important to note that the culture and tradition from the time of Macbeth’s writing prohibits the insubordination of males by females; however, Lady Macbeth is able to create an illusion of caring character to mask her manipulation. Somehow, the concept maybe contradicting to the prevailing culture of their time, but the strength of feminine influence and dominancy is very much evident in the role of Lady Macbeth to the point that even Duncan acknowledges her bravery. Following the latter scenes of the play, it is Lady Macbeth who works behind the kingly figure of Macbeth indicating the powers placed by Shakespeare in the woman’s tongue in his Macbeth. Analysis of the Three Plays In the three plays of Shakespeare analyzed in this study, the play Othello mentions the power of Desdemona’s decision in marrying the noble moor, while Goneril, Regan and Cordelia use the feminine touch of patriarchal influence in order to create significant impact in King Lear’s decisions for his kingdom, and lastly, Lady Macbeth who issues direct but properly strategize dominancy and manipulation over her husband, Macbeth. These women in the following three plays have all shown significant feminine influences towards the male characters of the plays. Despite the different forms and strategies, the feminine image in the contemporary period of society has always become a part of major influential force. The portrayals of feminine influences have all been cited from the openings scenes of the play, and yet, each of the female character in these plays has already provided their significant place in the literary course. In consideration of Othello’s Desdemona, even without her initial appearance, her single decision of marrying Othello has initiated the conflicts between three male personas, Roderigo, Brabantio and Othello. The conflict between these males stand in the motives of racial discrimination of Brabantio for Othello’s Moroccan origin, and Roderigo’s desire for Desdemona that is halted and ended by their secret marriage. In the opening scenes of Othello, Desdemona has not even mentioned any words but only the decision of secret marriage, and yet the uprising between the three main characters has already climbed the higher intensity. Meanwhile, the sisters and their king, from the play King Lear? are provided with the scenario of lingual enticements. Goneril and Regan are able to entice their father through their praises full of masked thoughts. However, despite of their masked or seemingly unreal feminine allurement, Goneril and Regan are given portions of the kingdom under the King’s verdict. Meanwhile, the youngest, Cordelia offers the most honest answer he can give, which is the love of expression than love through words. However, due to Corderlia’s failure in enticing the male pride and instinct of King Lear, she has been banished from the throne including her right as the daughter of the king. The feminine influence being portrayed in this novel is on the aspect of pleasing the male pride, which holds the key in manipulating their superiority and grants – as with the portrayal of Goneril and Regan. Lastly, the dominance of Lady Macbeth towards her husband Macbeth has led to their plot of killing the current minister, Duncan, and subduing the kingdom under Macbeth’s leading. The portrayal of Lady Macbeth has provided the illustration of the aggressive form of female manipulation through a well-masked intent towards rule and power. Conclusion The feminine influences of the characters Desdemona, the three sisters and Lady Macbeth have all illustrated diverse forms on how females in the contemporary plays of Shakespeare can influence the male society. As for Othello’s wife, Desdemona, she is able to influence the uprising of the male characters in the opening scenes through her simple decision of marrying the racially discriminated individual, Othello, the noble moor. Meanwhile, the two sisters, Goneril and Regan, are able to entice their patriarch’s affection leading to the favor of having the kingdom’s inheritance. Cordelia, on the other hand, symbolizes how men’s pride can be blinded by false feminine allure, which sometimes hinders male’s judgments of truth. Lastly, Lady Macbeth who provides the portrayal of dominant manipulation over her husband in order to attain higher positions through the royal crown.

The Next Great Wall Essay -- Encryption Technology Essays

The Next Great Wall The attacks of September 11, 2001 on the World Trade Center triggered the passing of the USA Patriot Act â€Å"to deter and punish terrorist acts in the United States and around the world, to enhance law enforcement investigatory tools, and for other purposes."1 It passed quickly and with little debate. Soon, encryption of information became a topic to address and efforts took place to allow the government backdoor access to anything encrypted by products developed within the United States. This generated much controversy and was opposed by many organizations. It did not take long before the supporters of these encryption bills backed down. The Chinese government, on the other hand, did not go through such a process. Restrictions on encryption technology imported to or developed within China have been put forth. Their attempts at such control contrast what the United States considers is a denial of our rights to privacy even when addressing national security. The U.S. has acknowledged the significance of supporting free encryption policies while China’s restrictions have shown they are even more limiting, unenforceable and morally wrong in how it affects its citizens as well as its international neighbors. U.S. Policies Addressing encryption technology over the last 5 years has been a challenge for establishing policy in the United States. Development of advanced encryption technology heightened towards the end of the 20th century and questions on its usage soon came into play. On February 23, 1999, the Security and Freedom Through Encryption (SAFE) Act was introduced â€Å"to affirm the rights of United States persons to use and sell encryption and to relax export controls on encryption."2 In addition, o... ...urnal. (back) Moore, Tim (2003), IEEE P802.11 Wireless LANs Draft 5.1, Retrieved February 7, 2004, from the World Wide Web: IEEE (MS Word Document). (back) CNET Asia Staff (2003), China Wi-Fi codes to be controlled by 11 firms, Retrieved January 25, 2004, from the World Wide Web: CNet News. (back) Freeman, Charles W. III (2004), Deputy Assistant USTR Feb. 5 Testimony, Retrieved February 7, 2004 from the World Wide Web: USInfo.State.Gov. (back) Shim, Richard (2003), China Implements new Wi-Fi security standard, Retrieved January 25, 2004 from the World Wide Web: CNet News. (back) Shim, Richard (2003), China Implements new Wi-Fi security standard, Retrieved January 25, 2004 from the World Wide Web: CNet News. (back) Gossett, Sherie (2002), e-Freedom fighters forge new weapon, Retrieved February 7, 2004 from the World Wide Web: World Net Daily. (back)

Gd on China or Pakistan Threat to India

attoVishnu, China is a bigger threat than pakistan. I am not speaking about military strength, I am speaking about economic strength. China as all the ability to take all our business, services away from us. In the future, it can stand as a big challenge when it comes to outsourcing and other IT / ITeS services there by completely paralyzing our economy through problems like unemployment etc; China.. it can also challange USA, .. India will be peanuts. pakistan†¦ both equally match†¦ so not that much big threat, but still china is kick *** for India hebiggest threat to india is the pakistan because the , the p-akistan is spreading the cold war, gueerlas war that y it important , to watch carefull the activity of pakistan definately pakistan and due to kashmir dispute. China is the bigger threat, a head on clash with china, could be damaging to India. However, pakistan offers a threat of a different kind, spreading terror, whose effect would be quite bad. hi brother its chin a. they say that arunachal pradesh belongs to them and some disputes in tibet border. its easy to fight with pakistan and win. we know the pakistan is a part of india. t has been to given a place for certain minoroties by india. so theres less threat. jai hind Currently I would say Pakistan because this is the time of Islamic aggresion in the world and Pakistan is an Islamic nation and they currently have a low level conflict with India and there have been terrorist attacks on India from Pakistan. China has the potential to be the biggest threat to anyone but they haven't really shown much aggresion. Lets hope that they remain that way. no country becoz from both we do our good relations. It all depends on how you view the situation. Neither China nor Pakistan need be our foes.We can make use of them for our mutual benefit. However, as a military force China is far superior. On the other hand Pakistan is very close to our territory. Both these factors do not count much in the modern nuclear warfare. All depends on the wisdom of the rulers of the countries and our fate. CHINA is a bigger threat to India. It has the potential to beat down India in every sphere on its own. But PAKISTAN can't do anything much without the help of bigger nations like AMERICA. As a force to compete economically, without a doubt China. But India is in a better position because US and Japan is trying to isolate China.India would soon be award the preferred trading status with US. As militarily threat, Pakistan will have more conflicts with India. There isn't much long term deep root hatred between India and China, so any dispute can be easily resolved compare to Pakistan. china provides a source of healthy competition in the world market. so ,i'd say china's not much of a threat if we realise how to make the most out of it for our advantage. we need strategic planning to implement this. the trade aggrements signed by the national leaders is a step forward in this direction. ince nation al security is of utmost importance , pakistan seems to be an immediate THREAT to the nation ,this issue is one that deserves attn rightaway. If it was a situation over what country could do more damage to India it would definatly be China†¦ But the biggest threat to India is Pakistan because China doesn't threaten and hate India like Pakistan does pakistan cant be a threat for india coz pakistan is a poor country with no economics and also india has defeted pakistan so many times, pakistan is so much spoiled internally that it cant think to fight with india. akistan is also not capable to fight with india, it is india who divided pakistan in in 1971 war and that was enough for pakistan. as far as china is concerned, we also have the same strength as china has. we are indians we are afraid of no one. to tell the truth india is in a position to defend itself if any one of the attack i. e. we are self sufficient. but if both of them get india will be ruined it will be like  "EK AUR EK GYARAH† None but India itself, notably ‘CORRUPTION' from top to bottom! The answers post by the user, for information only, FunQA. com does not guarantee the right.

Effective Communication in the Laboratory - 1953 Words

]LABORATORY MANAGEMENT ] EFFECTIVE COMMUNICATION INTRA AND EXTRA LABORATORY ASSIGNMENT 3 DATE: 24 APRIL 2012 Table Of Contents PAGE NUMBER Introduction 3 1. The communication process 4-5 2. Feedback 6 3. Types of Communication based on expression 6-7 4. Types of communication bases on flow 7 5. Internal vs external communication 8 6. What are the barriers to effective communication? 9-11 7. Elements of effective communication 11-12 8. Cross-cultural Communication 12 Conclusion 12 References 13 Introduction What is effective communication? Communication is the very basic need of any organization and any individual. An†¦show more content†¦Describes how a person communicates. * Evaluative feedback. Provides an evaluation of the person who communicates. * Prescriptive feedback. Provides advice about expected behaviour or expected communication. The four different levels are: * Task or procedural feedback. Consist of issues regarding effectiveness and appropriateness. For instance , if a correct procedure was used appropriately at the time by the group. * Relational feedback. Related to interpersonal dynamics within a group. For instance, the effectiveness of teamwork. * Individual feedback. It focuses on a particular individual in a group. Regarding whether the persons’ skills and knowledge is helpful to the group. The type of attitude the individual has to fellow co-workers. * Group feedback. Is centred on the groups’ performance ability. Feedback should not be perceived as a negative process but, it should be used as a means to enhance outcome, awareness and learning (Guo amp; Sanchez, 2005). 3. Types of Communication on basis of expression There are two types: verbal and nonverbal (Guo amp; Sanchez, 2005). Verbal Communication This is spoken or written words to share information with others. 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